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The Guides StyleThe sound of Guides for the Future is difficult to put into words. Traditional genres fall short of categorizing the band, whose members draw influences from hard rock, punk, progressive, grunge, psychedelic, jazz, jam, and even hip-hop to name a few. Hard at times, soft at times, but always with a message to send.On guitar and vocals is Robb Spensley, whose patented riffing and catchy yet complex song compositions prove that hard rock can also be made danceable. Cale Williamson provides the backbone ofthe group with his thundering drums and impeccable time-keeping and harmonies. Finally, Tommy Bobcat brings out the low-end with an aggressive onslaught of rhythm on bass and intricate song writing style.Robb Spensley![]() Robb's first ever band was a high school garage punk band called Sarcasm. In college Robb played guitar and sang in Name For Tomorrow which was an up-tempo and technical alternative dance punk type band. Following college Robb played singer songwriter acoustic music in and around Boston and also embarked upon a rap project which became known as Darth Robb. Robb is a talented guitar player and vocalist, plays many instruments, and enjoys creating beats and songs via electronic means. Following his move to Montpelier, Vermont, Robb and Tom met and started Entendre, which with the addition of Cale, quickly became the current project Guides for the Future.
Cale Williamson![]() Tommy Bobcat![]()
Tom continued to play sporadically through college, and switched to bass during law school. That band, The Learned Hands
played regularly during their three years together and released a record.
Following law school, Tom ventured north to Vermont after being captured by the scene during an random visit.
Tom's style on the bass has developed significantly over the years.
Following the lead of such greats as Les Claypool and Flea, Tom fuses slap-bass technique and more driven punk walks into his licks. His greatest inspiration for the instrument comes not only from the hard-rock genres, but from the progressive and jazz scenes as well,
crediting King Crimson and Miles Davis among his list of favorites.
As a songwriter, Tom draws from classic cult oddities like Frank Zappa and David Bowie, as well as more
modern artists such as Ween and Queens of the Stone Age.
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